Remya first appeared as a child artiste in several Malayalam short and feature films during the late 1990s and went on to reprise minor supporting roles in films such as Narendran Makan Jayakanthan Vaka, the art film Sthithi by R. Sarath and Kamal's Gramaphone.
She played her first leading role, as a bold dance teacher, in the 2006 film Aanachandam, a highly unsuccessful venture, which went unnoticed soon after its release. Regarding to her performance in the film, a critic from Rediff noted that she was "refreshing in bits",while another reviewer cited that she was "refreshing enough for a village based flick". Her subsequent projects, Changathipoocha and Panthaya Kozhi released to mixed reviews and offered hardly any scope for her, failing to propel her career. The next release, Chocolate, which featured Remya as one of three leading females, eventually gained her considerable attention, after the film went on to become a high commercial success.
She played her first leading role, as a bold dance teacher, in the 2006 film Aanachandam, a highly unsuccessful venture, which went unnoticed soon after its release. Regarding to her performance in the film, a critic from Rediff noted that she was "refreshing in bits",while another reviewer cited that she was "refreshing enough for a village based flick". Her subsequent projects, Changathipoocha and Panthaya Kozhi released to mixed reviews and offered hardly any scope for her, failing to propel her career. The next release, Chocolate, which featured Remya as one of three leading females, eventually gained her considerable attention, after the film went on to become a high commercial success.
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